P. Adams Sitney (born August 9, 1944 in New Haven, Connecticut),[1] is a historian of American avant-garde cinema.
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He was educated in his hometown, at Yale University. He was a founder of Anthology Film Archives and, along with Jonas Mekas, Peter Kubelka, Ken Kelman, and James Broughton, served as one of the members of the Anthology Film Archives Essential Cinema film selection committee. He is currently Professor of Visual Arts in the Lewis Center for the Arts at Princeton University. Sitney was a fixture at New York University's new (1970) doctoral program in the new Cinema Studies Department. Before moving to Princeton he also taught at The Cooper Union for the Advancement of Science and Art. He has been a major critical leader and intellectual supporter of the New American Cinema (avant-garde) movement.
Sitney is the Spring 2011 recipient of the Anna-Maria Kellen Berlin Prize from the American Academy in Berlin.
In 1974, he wrote Visionary Film, the first major history of post-World War II American avant-garde filmmaking; revised editions of the book were published in 1979 and 2002. He is also the author of Modernist Montage: The Obscurity of Vision in Cinema and Literature (1992) and Vital Crises in Italian Cinema: Iconography, Stylistics, Politics (1995), Eyes Upside Down: Visionary filmmakers and the Heritage of Emerson (2008) and the editor of The Essential Cinema: Essays on the Films in the Collection of Anthology Film Archives (1975), Film Culture Reader (1970), The Avant-Garde Film: A Reader of Theory and Criticism (1987).